Comprised of neighborhoods that celebrate different cultures, Zootopia is a city like no other. There’s ritzy Sahara Square for desert animals, Tundratown for the polar bears and moose, the hot and humid Rain Forest District, Little Rodentia for the tiniest mammals, and Bunnyburrow for the millions and millions of bunnies. The downtown area, Savanna Central, is a melting pot where a wide array of mammals from every environment come together.
Zootopia is a place where no matter what you are—from the biggest elephant to the smallest shrew—you can be anything. But when rookie officer Judy Hopps arrives, she discovers that being the first bunny on a police force of big, tough animals isn’t so easy. Determined to prove herself, she jumps at the opportunity to crack a case, even if it means partnering with Nick Wilde—a fast-talking, scam-artist fox—to solve a mystery.
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There are 64 unique species in Zootopia and most species are unique in topology: elephants have trunks, pigs have snouts; some animals have hooves, some have paws; some have three fingers, some have two.
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While researching the variety of animals that would inhabit Zootopia, filmmakers learned that not all fur is the same. A strand of polar bear fur is clear—it’s the light reflecting off of it that makes it appear white—and a strand of fox fur is dark at the root, getting lighter till its red tip. Artists strived to replicate their findings to ensure that the animals in Zootopia were believable.
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Artists deg Assistant Mayor Bellwether were inspired by the lambs in the old Disney films “Make Mine Music” and “Melody Time.”
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Artists crafted six unique outfits for Assistant Mayor Bellwether. The chosen fabric, naturally, was wool. Her outfits include a houndstooth dress, a blazer and a little bell in honor of her moniker. She also has an orange dress with a scissor pattern that represents shears.
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Artists were inspired by Mufasa from Disney’s classic film “The Lion King” when creating the look of Mayor Lionheart.
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Clawha may not share a real cheetah’s svelte shape, but he does sport the animal’s iconic tear marks—markings that run from the inside corners of his eyes down to the outside edges of his mouth.
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In an effort to bolster the animal-feel, artists added bits of debris—hay, leaves, sticks—in the coats of animals like the big sheep and Yax the Yak.
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Nathan Warner, director of cinematography-layout, got a pat on the back from a real-life cheetah during their research trip to Africa. The rescued animal that caretakers had introduced to the filmmakers seemingly took offense to the camera Warner carried and leapt up to let him know. Both filmmaker and cat were just fine following the event.
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When artists realized that real rabbits actually have a split upper lip, they decided to forego authenticity in this case and kept Judy’s lip all together.
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Advances in technology allowed filmmakers to trim the fur that fell beneath clothing so that the garments hung correctly. Previously, hairs that intersected with an item of clothing—like Bolt’s collar—had to be plucked one by one, which would have been an impossible feat in a film like Zootopia.
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